|
Curriculum Vitae
lab404.com * playdamage.org * deepyoung.org Professional Experience Assistant Professor (2008-present) Lecturer (2002-2008) Multimedia Arts & Sciences University of North Carolina at Asheville Asheville, North Carolina Internet Administrator (1998-2001) large-scale site architecture, design, implementation, management Integrity Music Mobile, Alabama Education Maine College of Art. Portland, Maine. MFA in Studio Arts, 2008. The University of the South. Sewanee, Tennessee. BA (Cum Laude), 1991. English major with a concentration in studio art Selected Publications [Books] Fresher Styles for Web Designers: More Eye Candy from the Underground. Berkeley, California. Peachpit / New Riders, 2008. Hot-Wiring Your Creative Process: Strategies for Print and New Media Designers. Berkeley, California. Peachpit / New Riders, 2006. Fresh Styles for Web Designers: Eye Candy from the Underground. Indianapolis, Indiana. New Riders, 2001. [Articles & Reviews] "Beyond the Medium. Toward the Goals." DesignSessions: Notes on Design (November 2007). Edited by Kevin Kelly. "The Slow Sell: Stanley Donwood's Interaction Design." DesignSessions: Notes on Design (November 2007). Edited by Kevin Kelly. "Designing Context." DesignSessions: Notes on Design (October 2007). Edited by Kevin Kelly. "Eternity in an Instant: The Moving Images of David Crawford." Edited by Paul St George. Hastings, UK: The Projection Box Publishers, 2006. "Geeks Inadvertently Making Net Art." Intelligent Agent 5, No. 2. (Winter 2005). Edited by Christiane Paul. "Music Lessons: A Life Spent Listening." Paste Magazine, No. 11 (August/September 2004), 74-77. "Setting Up The Punch Line: Some Thoughts on Para-Art Media." culturekitchen (August 2004). Edited by Liza Sabater. "even better than the [ethe]real thing." Review of Protocol, by Alexander R. Galloway. Rhizome Digest (July 2004). Edited by Kevin McGarry. "A More Exciting Delirium." Review of Rhythm Science, by Paul D. Miller. Rhizome Digest (March 2004). Edited by Kevin McGarry. "On Archiving, Ephemera, and Analog Distortion." Intelligent Agent 3, No. 2 (Summer/Fall 2003). Edited by Christiane Paul. "How I Stopped Hierarchizing and Learned to Love the Whole." Review of The New Media Reader, edited by Noah Wardrip-Fruin and Nick Montfort and Multimedia: from Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan. Tekka 1, No. 3 (Summer 2003). Edited by Mark Bernstein. "Towards a More Ambient Art." Essex, UK: Some Dancers and Musicians (June 2003). Edited by Michael Szpakowski. "Yoshi Sodeoka: The Interface is the Massage." Intelligent Agent 3, No. 1 (Winter/Spring 2003). Edited by Christiane Paul. "The Web Vs. Other Media." Co-Authors: Steven Caddy, Karen Ingram. Impress Web Design Magazine (Korea), October 2001, 68-70. "Head to Head on Usability." Co-Author: Bo McFarland. Mute Magazine (UK), No. 21 (September 2001), 14-15. "A Case for Web Storytelling." A List Apart, No. 92 (December 2000). Edited by Jeffrey Zeldman. "don't believe the hype(rtext): a meta-meta-criticism of meta-criticism." Spark Online, No. 14 (November 2000). Edited by Kris Krug. "Usability Experts are from Mars. Graphic Designers are from Venus." Design Matters: Society for Technical Communication Information Design Special Interest Group, October 2000. Edited by Beth Mazur. Selected Exhibitions [2008] "During the Beginning." Group exhibition. The Institute of Contemporary Art at Maine College of Art. Portland, Maine. "Pop Mantra #2 (I Lost Myself)." Performance. The Institute of Contemporary Art at Maine College of Art. Portland, Maine. "Pop Mantra #1 (Ghost Horses)." Performance for Transhift New Media Art Festival. The Pilot Light. Knoxville, Tennessee. [2007] "The Emily Dickinson Difference Engine." Solo installation & performance. Maine College of Art Front Window & Friedman Gallery. Portland, Maine. "St. Frank and the Wolf." Solo performance. Flood Gallery. Asheville, North Carolina. "St. Frank and the Wolf." Performance for r4wb1t5 micro.Fest. The Art Gallery of Knoxville. Knoxville, Tennessee. Curated by Jon Cates and Chris Molinski. "Breathing in B Flat: Net Art Remix." Solo online exhibition. Ignivomous. New York. [2006] "The Unbearable Being of Lightness." Solo installation/performance. Maine College of Art. Portland, Maine. "Synesthetic Bubble Gum Cards" and "reBranding." Group exhibition. [DAM] (Digital Art Museum) Berlin. Berlin, Germany. [2005] "Playdamage." Group exhibition for Seoul Net Festival. Coex Building. Seoul, Korea. [2004] "Synesthetic Bubble Gum Cards." Group exhibition for FILE (Electronic Language International Festival). Galeria De Arte Do SESI. São Paulo, Brazil. [2003] "The Market-O-Matic [Fine Arts Version 1.0]." Group exhibition: L'artiste portatif. L'Instituto de México à Paris. Paris, France. Curated by Daniela Franco. "plotFracture." Online group exhibition. Whalelane Journal 7. Albany, New York. [2002] "The Grace Engine." Group exhibition for FILE (Electronic Language International Festival). Paco Das Artes. São Paulo, Brazil. "MetaBiennial." Online festival. Free Manifesta. Brooklyn, New York. Curated by Sal Randolph. "The Grace Engine." Online group exhibition. Drunken Boat 5. Brooklyn, New York. [2001] "A Digital Quilt Project." Group exhibition for Seol Net Festival. Coex Building. Seoul, Korea. "Playdamage." Group exhibition for FILE (Electronic Language International Festival). Museum of Image and Sound. São Paulo, Brazil. [Permanent Collections] "Synesthetic Bubble Gum Cards" and "reBranding." Rose Goldsen Archive of New Media Art, Division of Rare and Manuscript Collections. Cornell University Library. Ithaca, New York. Curated by Timothy Murray. "Synesthetic Bubble Gum Cards" and "reBranding." Computer Fine Arts Collection. New York. Curated by Doron Golan. "The Market-O-Matic [Fine Arts Version 1.0]." Runme.org Repository. Moscow, Russia. Curated by Alexei Shulgin. "A Digital Quilt Project", mouchette-has-a-posse, "Playdamage", "plotFracture", "The Shine of Your Japan", and "The Grace Engine." Rhizome Artbase. New York. Invited Lecture Presentations An Event Apart. Chicago, Illinois. 10/2008. Voices that Matter Web Design Conference. Nashville, Tennessee. 6/2008. Voices that Matter Web Design Conference. San Francisco, California. 10/2007. University of South Carolina Art Department. Columbia, South Carolina. 10/2005. Applied Visualization Conference. Asheville, North Carolina. 4/2005. South by Southwest Interactive Conference. Austin, Texas. 3/2005 and 3/2006. Israel Internet Association Conference. Tel Aviv, Israel. 2/2005. [full day tutorial] FILE Symposium. São Paulo, Brazil. 11/2004. dotUnion. Calgary, Canada. 11/2004. Black Mountain College Museum & Arts Center. Asheville, North Carolina. 9/2004. HOW Design. San Diego, California. 5/2004. Web Design World. Seattle, Washington 7/2003. Web Builder. Las Vegas, Nevada. 9/2002. Southern Illinois University Art Department. Edwardsville, Ill. 4/2002. Web Builder. New Orleans, La. 11/2001 [keynote address], 12/2000. Selected Bibliography/Citations [Books] Scott, Ant and Iman Moradi. Glitch: Perfect Imperfection. New York: Mark Batty Publisher, 2008. DeBolt, Virginia. Mastering Integrated HTML and CSS. Hoboken, New Jersey: Sybex, 2007, 483. Hayton, Kavita and Tim Hudson. "Locating Interactive Media Production: Reflections on New Media and its Teaching Contexts." In Interactive Convergence: Critical Issues in Multimedia. Edited by Scott P Schaffer & Melissa Lee Price. Oxford, UK: Inter-Disciplinary Press, 2005, 10. Cranny-Francis, Anne. MultiMedia: Texts and Contexts. London: Sage Publications Ltd, 2005, 43-44. Greene, Rachel. Internet Art. World of Art. London: Thames & Hudson, 2004, 216. Pressmanm, Roger S. Software Engineering: A Practitioner's Approach. 6th ed. Columbus, Ohio: McGraw-Hill Science/Engineering/Math, 2004, 534. [Periodicals, Scholarly Citations, Reviews, Interviews] Thorlacius, Lisbeth. "The Role of Aesthetics in Web Design." Nordicom Review 28, No. 1 (2007), 65. Palácios, Marcos Silva. "Jornalismo E Literatura Na Internet: Combinando pesquisas com experiências didáticas." Revista Texto Digital 2, No. 1, 2006. Dalsgård, Peter and Kim Halskov. "Real Life Experiences With Experience Design." In Proceedings of the 4th Nordic Conference on Human-Computer Interaction: Changing Roles held in Oslo, Norway, October 2006, 331-340. Dreher, Thomas. "Psychogeography and Instruction." In Conceptual Art and Software Art: Notations, Algorithms and Codes. Presented at Literatur und Strom: Code - Interface - Concept held in Stuttgart, Germany, November 2005. Imamoglu, Gülten and Süleyman Tarman. "Communication Problems in Conceptual Art." Presented at International Visual Trade Meeting Communiqué held in Izmir, Turkey, September 2005, 4-5. Frost, Charlotte. "The Anti-Nike." Review of "_ This Concept," by Curt Cloninger. Rhizome Net Art News, 8 August 2005. Carlsen, Joachim and Gisle Hannemyr. "Navigating Web Sites: Considering Navigational and Semantic Constraints." Oslo, Norway, 2005, 2-4. Mooth, Bryn. "The WOW Factor". HOW Magazine. August 2004, 64-93. Gerdie, Claudia. "Design Trends 2004" [cover story]. Page Magazine (Germany). January 2004, 32. Ryan, Terry, Richard H. G. Field , and Lorne Olfman. "The Evolution of US State Government Home Pages from 1997 to 2002." International Journal of Human-Computer Studies 59, No. 4 (October 2003), 403-430. Cloninger, Curt. "Sightings: Exploring Community + Arts + Internet: Research: Interviews: Curt Cloninger." Interview by Heather James (21 May 2003). Arts Council of Northern Ireland's Sightings, October 2003. Mobley, Karen. Review of Fresh Styles for Web Designers: Eye Candy from the Underground, by Curt Cloninger. Technical Communication 50.3 (August 2003), 400. Gallagher, David F. "Don't Mourn, Yet. These Obits Were Only Designs." New York Times, 21 April 2003, sec. C, p. 4. Ludovico, Alessandro. "REbranding, corporate image ribaltata." Review of "REbranding," by Curt Cloninger. Neural: Havtivism, E-Music, New Media Art (Italy). March 2003. Dillon, George L. "Animated, Interactive, Multimedia, and Randomized Collage." In Writing with Images: Toward a Semiotics of the Web. University of Washington, 2003, Sec. 3.4. Ludovico, Alessandro. "The Market-O-Matic (1.0), testi critici automatici." Review of "The Market-O-Matic," by Curt Cloninger. Neural: Havtivism, E-Music, New Media Art (Italy). December 2002. Leiserson, Anna Belle. "The Web Insider: Netscape, Standards, and You." Law Library Journal, Fall, 2002. Heagney, Din. "Lookee Hear: Visual Sound in an Electronic World". Desktop Magazine (Australia). August 2002, 58-61. Siemens, George and Stephen Yurkiw. "Evaluating Media Characteristics: Using Multimedia to Achieve Learning Outcomes." Presented at The Association for Media and Technology in Education held in Regina, Canada, May 2002. Ludovico, Alessandro. "Traffic Report, rendere pubblici i propri traffici di dati". Review of "Traffic_Report," by Curt Cloninger. Neural: Havtivism, E-Music, New Media Art (Italy). May 2002. Fresh Styles for Web Designers reviewed in I.D. Magazine, January 2002. Cloninger, Curt. "Curt Cloninger on Web Design." Interview by Andrew King (26 September 2001). Web Reference, September 2001. Ludovico, Alessandro. Review of "Playdamage," by Curt Cloninger. Neural: Havtivism, E-Music, New Media Art (Italy). April 2001. Book Editorships Preliminary Editor: Digital Art Studio: Techniques for Combining InkjetPrinting and Artist Materials. Dorothy Krause, Bonny Lhotka, and Karin Schminke. New York: Watson-Guptill, 2004. Editor: One. Mike Cina and Mike Young. Minneapolis, Minnesota: You Work For Them Press, 2003. Technical Editor: Building Accessible Web Sites. Joe Clark. Indianapolis, Indiana: New Riders, 2001. Jury Memberships Creative Capital Emerging Fields Grant. Reader & Recommender. New York. 2008. Identi-T Graphic Design Competition. Tel Aviv, Israel. 2005. HOW Magazine Interactive Design Competition. Cincinati, Ohio. 2004. FA 2008 |