3. JUNE 3

Constanca Carvalho Homemi (with Annie Abrahams) [artist talk]
What were your reflections on the space (the home and room itself)?
Any personal takeaways regarding your own future or creative practice?

/////////////////////

Galerie la Patinoire Royale Bach (Kganye, Cruz-Diez, De Corte)

THE WORK OF SHADOWS (Kganye)
How long do you stay to watch a video installation? With a full wall of installation, what parts do you watch?
How do you make a world that invites people into it? How do you invite them to walk into the frame? How do you make a world that is deeper than the flat surface of your work? (cf: Kurosawa's movie "Dreams," the segment on Van Gough).
What role did audio play in this exhibition?
What are some ways of achieving "dimension" without merely resorting to 3D printing?
As an artist, what are some ways of filling an extremely large gallery space?
What was the relationship between the large video, the cut out village, the fabric hangings, and the shadowboxes?

EDITIONS (Cruz-Diez) [The op art work]
The machine of eye and mind makes an image. The impressionists and Josef Albers knew this.
According to Duchamp, who completes the painting? (viewer)
Art object as an apparatus.
How do you create artwork that a camera is literally unable to capture?
Mimetic art vs. abstract art vs. op art.

HYPERVIGILANCE (De corte) [paintings with the backsides showing]
What is a substrate? Why draw attention to the substrate?

In this gallery, why aren't the prices for the works listed on the printed description sheets of the works?