unsaying is as unsaying does (2014)
Media: performance (language, light, video animation, software)
Reading excerpts from Pseudo-Dionysius through generative feedback systems. Make sure audio is on.
novaScotia transCryption Engines (2014)
Media: installation/internet art (audio, video, rocks, ropes, a doll, internet)
Onsite and online versions of 4 video installations. Make sure audio is on.
A Playdamage Flipbook (2014)
Media: artist book (100 pages, 7in X 7in)
An animated flipbook in two directions.
Static Trapped In Mouths (2014)
Media: studio performance (audio, video, software, animation)
A series of five generative video dialogues. Make sure audio is on.
transCRyPTion [alan-turing-has-a-posse] (2013)
Media: internet art (video, animated gif, text)
A faux-forgery of a faux-translation engine. Make sure audio is on.
DRIFT unRACE (2013)
Media: lecture/participatory performance (language, inner-tubes, a river)
A brief lecture on the Situationists and Henri Bergson, followed by a group drift down the French Broad River in floating tubes.
Media: video, audio
A video collaboration with A. Bill Miller. Bill and Curt swapped files back and forth until the person receiving the file felt it was finished. Make sure audio is on.
Again (I Wish I Was A Fool For You) (2012)
Media: performance (video, audio, instruments, voices, bodies)
3 Hour duet between a looped, pre-recorded version of my wife and a live version of me. Make sure audio is on.
'Twixt The Cup And The Lip (2011-12)
Media: performance/artist book (translation softwares, voice, drawing, internet)
A series of performances and a book. A phrase is chosen and massaged through various digital/analog/software/human contortions. Make sure audio is on.
Media: video, audio
A datamoshed/databent video of my body dancing. Make sure audio is on.
Double Blind (Love) (2009)
Media: performance/internet art (pop music, voice, Rhodes electric piano, time, faces, video, internet)
A Collaborative performance with Annie Abrahams that takes place in France, the US, and on the internet. We both sing "love" for 4.5 hours blindfolded. Make sure audio is on.
Pop Mantra (2008 - present)
Media: performance (pop music, voice, guitar, time, fabric)
A series of performances where I perpetually perform a short excerpt from a different pop song for several hours, usually blindfolded. Make sure audio is on.
During the Beginning (2008)
Media: installation (language, handwriting, code, mouth, light, sound, water, glass, wood)
A series of installation stations based on Genesis 1:3, "And God said let there be light and there was light." Make sure audio is on.
The Emily Dickinson Difference Engine (2007)
Media: performance/installation (found objects, poetry fragments, tables, handwriting, code)
A performance and installation combining phrases from Emily Dickinson's poetry with found objects.
Breathing in B Flat (2007)
Media: studio performance (voice, software, synesthetic projection)
A live performer's voice controls the mix of six pre-recorded voices and images. Sculpting sound and light to explore an ecstatic space of unsaying. Accompanied by a companion audio archive. Make sure audio is on.
St. Frank and the Wolf (2007)
Media: performance (tongues, theremin, synthesizer, synesthetic projection, fabric)
A live performance which mixes two pre-recorded projected performances. A dialogue with sound, light, and space that explores the irreducible aspects of faith. Make sure audio is on.
The Unbearable Being of Lightness (2006)
Media: installation/performance (animated collage projection, mixed media drawing, improvisational piano composition, fruits & vegetables)
Installation/performance exploring various states of solidity and ethereality. "A memory museum of earth made by people who are now in heaven."
Vertical Features Remix (2006)
A one-minute re-interpretation of Peter Greenaway's film Vertical Features Remake. Make sure audio is on.
Synesthetic Bubble Gum Cards (2003 - present)
Generative collage. Each card continually remixes itself after a few seconds, drawing from a database of prepared source images. Make sure audio is on.
a. Graffiti Card: From the Ornamental Pack. Sampled and treated graffiti from various cities, generatively remixed.
b. Kells Card: From the Ornamental Pack. Sampled and treated excerpts from the Book of Kells, generatively remixed.
c. Chartres Series Card: From the Brakhage Pack. Sampled and treated excerpts from Stan Brakhage's film Chartres Series, generatively remixed.
d. Place Pack Wildcard: From the Place Pack. My own photographs from different world cities (and sampled photographs of Mars) treated and generatively remixed.
playdamage (2000 - present)
Multimedia journal. Linear navigation (each piece links to the next piece). 100+ screens. All screens have audio and most are animated loops. Ongoing. Make sure audio is on.
the grace engine (2001)
Media: internet art (Flash, DHTML, audio)
Series of 4 reactive spiritual feedback interfaces incorporating original audio compositions. Complete source audio is available on the last screen of the series. Make sure audio is on.